
TikTok symposium at MU Frankfurt
On June 5, 2025, a symposium on the TikTok phenomenon took place at MU’s Frankfurt campus – within just a few years, the platform has developed into a global, cultural force.
The students‘ symposium impressively demonstrated how complex TikTok is as a subject of research and how urgently a critical, differentiated approach to this influential platform is needed.

TikTok shapes the media, culture and economy
TikTok has long been more than just a pastime for young people. With over one billion users worldwide, it shapes today’s media landscapes, cultural forms of expression and economic structures.
TikTok has changed the way media is produced, consumed and monetized.
In five thematic panels, students examined the platform from a wide variety of perspectives:
- Platform logics and algorithmic culture
- Global trends and community dynamics
- Creator economy and marketing
- Geopolitics and ownership structure
- Regulation and competition
The five thematic panels
Platform logics and algorithmic culture
The contributions in this block analysed the functioning of TikTok’s algorithm, the design for user retention and the monetization of attention. TikTok as a data-driven ecosystem was critically scrutinized – both from a technical and ethical perspective.
Contributions:
- Nhi Thao – Short-Form Video and the Evolution of Platform Design
- Mete Ögeday Ural – For You, For Profit: Datafication and Monetization on TikTok
- Marylyne Jan Akinyi – Addicted by Design? Persuasive Tech and the Attention Economy
Global trends and community dynamics
TikTok was presented as a mirror of society in which cultural trends, political movements and identity-forming practices are condensed. In addition to the potential for creative self-presentation, challenges such as hate speech and moderation boundaries were also discussed.
Contributions:
- Pereere Ayaruia – TikTok as a Cultural Mirror: Trends, Memes and Movements
- Hannah Frantz – The Rise of the Relatable Influencer
- Gabriel Saravini – Toxicity, Hate Speech, and the Limits of Platform Governance
Creator economy and marketing
How does viral content work? What opportunities – and risks – does being an influencer entail? Creative strategies, brand communication and the role of music in the context of TikTok campaigns were discussed. Case studies such as Ryanair or the AfD showed the range of platform use.
Contributions:
- Pegah Zakeri – The Creator Economy on TikTok: Opportunities and Precarities
- Noah Leonhardt – Going Viral: Strategies, Luck, and Platform Literacy
- Cleo Hedrich – Branding and Advertising on TikTok: From User-Generated Content to Corporate Campaigns
- Mayank Kansadia – Music and TikTok: From Soundbites to Billboard Hits
Geopolitics and ownership structure
TikTok’s affiliation with the Chinese company ByteDance was the starting point for discussions about digital sovereignty, international regulatory conflicts and “techno-nationalism” between the US and China.
Contributions:
- Jasmin Ruckriegel – ByteDance and the Origins of TikTok: Corporate Strategy and Global Expansion
- Banu Nehad Hessan – TikTok, Techno-Nationalism and the U.S.–China Rivalry over Platform Power
Regulation and competition issues
The final session dealt with legal and economic framework conditions. The focus was on competition law, interoperability and the question of whether TikTok constitutes a natural monopoly. Current lawsuits and legislative initiatives against the platform were also examined.
Contributions:
- Daniel Neitzel – Platform Dominance and Market Power: Is TikTok a Natural Monopoly?
- Mohsen Fathi – Interoperability: Can Platforms Be Opened Up?
- Anna-Lena Lump – Antitrust Investigations and Legal Challenges Facing TikTok